Superman’s sheer anger over Billy Batson’s situation is a sight to behold. Batman and Robin get away with it because he knows it’s the world’s best internship and that Bruce is willing to put out all the stops to protect him. But Billy? He doesn’t have anyone looking out for him. And that pisses off Superman more than anything.
Seriously, Clark’s face here
He is ready to kick the ass of whoever put this boy in this situation SO HARD
Next page he really lets the Wizard Shazam have it.
Shit, son. I might have to buy this book for those last two panels alone.
When Superman is written well he is an amazing goddamned character.
these few pages are some of my favourite in comic book history. So good. For anyone wondering what the next few pages look like, here you go:
This is a bigger deal than some of you might think, because Superman is one of the heroes in the DC Universe who keeps his secret identity pretty damn secret, because as probably the most powerful and influential person on earth, a lot of people do not wish him well - and would jump at the chance to hold people dear to him as leverage.
Yet, he trusts this poor, scared little kid. To comfort him, and entrust him with his biggest secret - just as Billy did for him.
“Super Black places the appearance of black superheroes alongside broad and sweeping cultural trends in American politics and pop culture, which reveals how black superheroes are not disposable pop products, but rather a fascinating racial phenomenon through which futuristic expressions and fantastic visions of black racial identity and symbolic political meaning are presented.
Adilifu Nama sees the value–and finds new avenues for exploring racial identity–in black superheroes who are often dismissed as sidekicks, imitators of established white heroes, or are accused of having no role outside of blaxploitation film contexts.
Super Black explores how black superheroes are a powerful source of racial meaning, narrative, and imagination in American society that express a myriad of racial assumptions, political perspectives, and fantastic (re)imaginings of black identity. The book also demonstrates how these figures overtly represent or implicitly signify social discourse and accepted wisdom concerning notions of racial reciprocity, equality, forgiveness, and ultimately, racial justice.”
Adilifu Nama is an Associate Professor at California State University Northridge. He is the author of the award-winning Black Space: Imagining Race in Science Fiction Film, the first book length examination of the topic. Throughout his books, various articles, and presentations, Nama has explored how race and media intersect in television, film, and hip-hop music with a critical eye toward contextualizing black representation along with black racial formation.
Wikipedia tells me the finale was a year ago today. I hope it was a good year for everyone! It was a weird one for me—but ultimately a good one, I think—full of new challenges and adjustments, and plenty of decompressing from the five intense years of making Korra. Thanks to everyone for the continued support of our/my work, old and new. Here is a sneak peek of a thing I drew for a thing. I hope you all have a safe and happy end of the year!
